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The Last Chicken in America: A Novel in Stories, by Ellen Litman
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"[An] elegantly constructed web of stories about Russian-Jewish immigrants....Warm, true and original."―New York Times Book Review
In twelve "pristine, entrancing" (Booklist) linked stories, Ellen Litman introduces an unforgettable cast of Russian-Jewish immigrants trying to assimilate in a new world. Tender and wryly funny, these stories trace Masha's and her fellow immigrants' struggles to find a place in a new society―lonely seniors, families grappling with unemployment and depression, and young adults searching for love.
- Sales Rank: #355299 in Books
- Published on: 2008-09-17
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .60" w x 5.50" l, .43 pounds
- Binding: Paperback
- 236 pages
From Publishers Weekly
Russian immigrants settle in Pittsburgh and attempt to assimilate in this linked set from Litman, who emigrated from Moscow in 1992. Masha, a lonely dreamer, is a vulnerable teen desperate to distinguish herself from the other Russians in town. As she struggles to help her obstinate parents settle down, she finds comfort in Alick, a friendly exchange student from Moscow who gives Masha her first lesson in love. Subsequent stories introduce a plethora of characters: Tanya, a repressed housewife, longs to escape her loveless marriage, while single mother Natasha has a set of friends who insist on setting her up, and widower Kamyshinskiy attempts to start over. Throughout, Litman deploys a style that's a perfect mix of sophistication and bewilderment, as her often highly educated characters cope with various forms of underemployment, with American buoyancy and with their own sometimes suffocating subculture. While Masha is a focal point, each of the stories has its own arc, and the community never comes into focus as a whole. The result is less like a novel than a coherent set of mostly first-person character studies by a very promising writer. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Having emigrated from Moscow as a teenager in 1992, Ellen Litman has lived the life she so vividly describes in her debut, and she adroitly depicts the stress, underemployment, isolation, and sense of loss commonly suffered by new immigrants. Though English is her second language, Litman’s writing style is graceful and clever. She paints a colorful portrait of a vibrant community, and Masha makes a charming, observant narrator whose subtle appreciation of the ironies of the American Dream provides a cohesive filament throughout the book. A few of the stories read "less like fiction than like notes for a longer work" (New York Times Book Review), but critics unanimously praised this collection of fresh and engaging stories from a promising new writer.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
Welcome to Squirrel Hill, a Pittsburgh neighborhood harboring an enclave of addled Russian Jewish immigrants. Struggling to learn English, professionals who held prestigious positions in Moscow realize that to make a living in America they're going to have to labor as housecleaners or data processors. At least their children will go to college. But even the younger generation is baffled, discouraged, even demoralized. Litman joins Laura Vapnyar and David Bezmozgis in portraying Russian Jews stymied and inspired by the curious mix of abundance and emptiness that characterizes American life. Yet Litman's pristine, entrancing interconnected short stories are distinct, given her light touch, crisp humor, and the push-and-pull of her characters' tidal emotions. As obdurate Russian transplants simultaneously cling to and repel each other, Litman's many-faceted stories revolve around the search for a calling in life, the quest for love, and the tragicomic predicaments that thwart seekers and lovers. Straightforward in structure yet intricate psychologically, Litman's smart stories take measure of the confounding divides between cultures and generations, men and women. Seaman, Donna
Most helpful customer reviews
13 of 16 people found the following review helpful.
Much more than just another "immigrant book"
By Jane Roper
It's ironic that one reviewer here complained that the subjects of the stories in this collection aren't unique to immigrant life, since that very fact is one of the book's strengths: 'The Last Chicken' may be about a very specific immigrant community, but its stories explore themes that are universal to the human experience -- love, death, marriage, aging, jealousy, illness, struggle, joy. This, along with Litman's beautifully clean prose, subtle humor and empathy for her characters, is why the "The Last Chicken" is such a satisfying read.
To the Squirrel Hill residents who have come to vent their anger here: I hate to be the one to break it to you, but the fact that you find Litman's stories to be such an accurate depiction of the realities of your lives is the best possible endorsement you could give the book.
Naturally Litman has drawn on real people and situations to create her characters and stories; all fiction writers do. Ironically, the fictionalized portraits she has painted of Squirrel Hill's residents in her book are far more subtle and sympathetic than the portraits they've painted of their (non-fictional) selves here.
11 of 14 people found the following review helpful.
hilarious, moving & uplifting
By Kendra Deganhardt
"The Last Chicken," is the best novel-in-stories I've read in years. Like her fellow immigrant-authors Jhumpa Lahiri, Amy Tan and Gary Shteyngart, Ellen Litman first and foremost tells a great story. When I read the stories in "The Last Chicken," I feel like I'm in Squirrel Hill, along with the characters, in their houses, eating the various Russian foods, having breakfast conversations over scratchy wooden tables. I worried for the people in the town. I wanted the men to win their wives back, to convince the IRS not to arrest them, to get the promotion they'd been scheming after; and for the women to finally meet a decent guy. The book immersed me in a different world--as cliched as it sounds, I feel like I learned something about another culture. The stories are so funny, smart, and wry, that they're worth reading again and again. And the visceral descriptions and the close perspective--the way the book subtly allows us to know what the characters are thinking and feeling--is masterful.
I'm not sure what that other reviewer was talking about. I thought the characters were smart, funny, and hot. I'd be flattered to be one of them. And who knows whether the book's "fiction" or not? Isn't it all "fiction?"
3 of 3 people found the following review helpful.
Atleechnah! Agromnayah spasseba Ellen Litman ('excellent, huge thanks' pah russky)
By Gina R. Morvay
Ellen Litman is a wonderful new writer and I can't recommend this collection of stories too much (many are connected like threads in a novel). Litman's prose is a joy to read... clear, witty, moving and probes minute details without getting stuck in self-indulgence like some writers I've had to slog through. Yes, some of the characters were of more interest to me than others: a single mom in a world without men, a babysitter working for a joyless family. But you will acutely feel the stresses each of them feel trying to encounter and grasp this foreign culture into which they're trust. Litman understands the self-loathing and sense of inferiority internalized by immigrants, how so many men in this situation loose their sense of self and their power, forced to do jobs that are several steps 'below' what they were doing in the motherland. How they'll never really be Americans and the conflict surrounding whether they even want to be absorbed by the bizarre culture that surrounds them. The Last Chicken In America will have any reader thinking about what American culture is and isn't, and both how unnourishing and offering of opportunities the U.S. can be. I'm looking forward to Litman's next book.
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